L A M E N T

An ongoing collaboration exploring folk praxis with philosopher and educator Chryssa Sdrolia. We are interested in the lament as a moment of transformation in the articulation of loss, uprooting, yearning and injustice. Our work will circle around women’s experience, and inherited knowledge about nationhood.

Through an exploration of the haptic potentials of spatialised sound, we would like to ask questions about affect and telepresent intimacy.

We are very serious about folkways that create lines of flight away from jingoism, and historicism. Re-inscribed, they might thrive as living practices for future landscapes.

C—argo